Back in the kitchen of the Gabriel family, the country is now in the midst of the general election for President. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together, while a meal is made around the kitchen table.

Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.

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Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.

What Did You Do In the War, Mama? is set in 1917 when the powers of Europe are locked in a lethal war. Casualty numbers are enormous. There seems no way out of the stalemate. One evening, King George V and his advisers, including Prime Minister David Lloyd George, Army Commander of British Douglas Haig, and Munitions Minister, Winston Churchill are poisoned at dinner. Seriously ill, the men can no longer work and it falls to Queen Consort, Mary, to find a solution to this dangerous situation. And the question then becomes - what would happen if women ruled the world?

When his brother proposes to a girl after knowing her less than 24 hours, marriage phobic Charlie Porter finds himself stuck between a two-carat rock and a hard place with his long-term girlfriend.

Arvin and Ace, haunted by past traumas and dreams shattered by the pandemic, collide as they chase online fame, forcing them to confront buried secrets and redefine their identities.

In April 1794, Georges Danton, the hero of the French Revolution, is imprisoned in a Paris jail, awaiting his morning appointment with La Guillotine. His accusers are so afraid of the strength of his popular support that they have imprisoned a decoy to frustrate any attempt to rescue him. A young guard must decide if his prisoner is the real Danton - and whether it is too risky to help him.

It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.

It's the summer school holidays in 1990 South Africa and 11-year-old Boipelo is back at her grandmother Koko's four-roomed house in the Pretoria township, Atteridgeville. It's a point of uncertainty for a country on the brink of democracy but mostly, for Boipelo who will be attending a multiracial school soon. While the normal house chores and the predictable clashes with her two annoying cousins continue, her grandfather's violent coughing coming from the bedroom and conversations amongst adults signal some sort of end that she can't grapple with. Boipelo becomes consumed by the fact that she can no longer remember her dreams when her granny, like clockwork, asks her to tell her what her dreams are in order for her to play a local Chinese lottery called Mochaena/Fahfee. As the holidays draw to a close, Boipelo devises a plan so that she can dream again and bring a smile to her forlorn grandmother's face and, perhaps, have one last feeling of belonging before her life changes forever.